Tres argentinos en París, directed by Manuel Romero, becomes the country’s first censored film, on the pretext that its characters, described as bohemian revelers, “damage the reputation of Argentina.” It is ultimately released in 1938 in its original version under the title Tres anclados en París.

Under Manuel Romero’s direction, the following films are premiered:
Los muchachos de antes no usaban gomina, featuring the debut of Hugo del Carril alongside Florencio Parravicini, Mecha Ortiz, Santiago Arrieta, and Irma Córdoba. A brilliant and colorful depiction of a Buenos Aires generation. El cañonero de Giles, starring Luis Sandrini, Luisa Vehil, Marcos Caplan, and Héctor Quintanilla. Fuera de la ley, with Luis Arata, José Gola, and Irma Córdoba. Cinematography by Gerardo Húttula, a German brought in by Lumiton. La vuelta de Rocha, featuring Mercedes Simone, Pedro Maratea, Alicia Barrié, and Tito Lusiardo.

Lumiton welcomes George Andreani, a Polish composer and orchestra conductor, into its ranks.