{"id":16803,"date":"2020-01-29T18:53:42","date_gmt":"2020-01-29T21:53:42","guid":{"rendered":"http:\/\/prd-cul-web04.vicentelopez.gov.ar\/history\/"},"modified":"2024-03-06T10:23:29","modified_gmt":"2024-03-06T13:23:29","slug":"history","status":"publish","type":"page","link":"https:\/\/lumiton.ar\/en\/history\/","title":{"rendered":"History"},"content":{"rendered":"

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LOS LOCOS DE LA AZOTEA<\/h2>\n

A group of four young radio enthusiasts (doctor Enrique Tel\u00e9maco Susini<\/strong> and three medical students, Luis Romero Carranza, Miguel Mujica and C\u00e9sar Guerrico<\/strong>), known as Los locos de la azotea (the madmen of the rooftop)<\/em>, made the first open radio broadcast in history on the night of August 27, 1920. From the rooftop of Teatro Coliseo, the opera Parsifal traveled through the air to the ears of a privileged audience. Susini hosted the broadcast, becoming the first announcer in the world.<\/p>\n

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\u201cLadies and gentlemen, Radio Argentina Society presents today the Sacred Festival of Richard Wagner, Parsifal, featuring the performances of tenor Maestri, baritone Aldo Rossi Morelli, and Argentine soprano Sara C\u00e9sar, all accompanied by the orchestra of the Costanzi Theatre in Rome, conducted by Felix von Weingartner.<\/span><\/i><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”http:\/\/prd-cul-web04.vicentelopez.gov.ar\/wp-content\/uploads\/2020\/07\/los_locos_de_la_azotea_1a1a1a.jpg” alt=”THE ROOFTOP MADMEN” title_text=”THE ROOFTOP MADMEN” _builder_version=”4.24.0″ _module_preset=”default” hover_enabled=”0″ border_color_all=”#FFFFFF” box_shadow_style=”preset3″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][et_pb_text _builder_version=”4.24.2″ _module_preset=”default” custom_padding=”20px|||||” custom_padding_tablet=”20px|30px||30px|false|false” custom_padding_phone=”|30px||30px|false|false” custom_padding_last_edited=”on|phone” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

\u201cWe were doctors dedicated to studying the electrical effects in medicine, and also well-informed radio enthusiasts who were at the forefront. But, above all, we were imaginative individuals, passionate about music and theater, and that’s what led us to envision this marvelous invention as the most extraordinary tool for cultural dissemination<\/em>.\u201d<\/p>\n

– Enrique Tel\u00e9maco Susini –<\/i><\/span><\/p>\n

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They formed a successful partnership under the acronym S.A.R.A.<\/strong> and continued broadcasting organized programs, in which Susini used his language skills and vocal control to portray different fictional guests who not only speak, but also sing and recite poems.<\/p>\n

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Radio Argentina<\/strong> is the world\u2019s first radio station. Later, with their new company V\u00eda Radiar<\/strong>, they innovate by establishing long-distance communications using shortwave. Los Locos de la Azotea are at the forefront in global communications.<\/span>
<\/span><\/span><\/p>\n

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After raising a substantial sum by selling Via Radiar, Los Locos de la Azotea invested their capital in the development of the film industry. They travel and study the model of sound film production in Hollywood.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ make_equal=”on” _builder_version=”4.21.0″ _module_preset=”default” width=”100%” max_width=”100%” custom_padding=”||80px|||” border_color_bottom=”#efefef” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.24.2″ _module_preset=”default” header_2_font=”|700||on|||||” header_2_font_size=”28px” header_2_line_height=”2.8em” custom_margin=”-3px||7px|||” custom_padding=”||0px|||” custom_padding_tablet=”|30px||30px|false|false” custom_padding_phone=”|30px||30px|false|true” custom_padding_last_edited=”on|tablet” hover_enabled=”0″ header_2_font_size_tablet=”” header_2_font_size_phone=”24px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

On October 31, 1931, they acquired the estate called La Algovia (1919, architect Kronfus), previously owned by the Zeller family. Together with architect Conord (who would later become a set designer) they built the studios, which were inaugurated the following year. They created S.A. Radiocinematogr\u00e1fica Argentina Lumiton<\/strong> (Light and Sound). The mansion in Munro thus became the legendary Casa de las estrellas<\/strong> (House of the Stars).<\/p>\n

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Independence and self-sufficiency in all areas and stages of production placed Lumiton at the forefront. It was here that the first Argentinian sound film Los Tres Berretines<\/em> (1933) was made, followed by hundreds of productions, including those produced by the Gong label and those that passed through the studios.<\/p>\n

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ENRIQUE TEL\u00c9MACO SUSINI<\/h2>\n

Buenos Aires, Argentina
<\/span>January 31, 1891 – April 7, 1972<\/span><\/p>\n

At the age of 14, he finished high school at Colegio Nacional de Buenos Aires and traveled with his family to Vienna when his father (Tel\u00e9maco Susini, the first otorhinolaryngologist in the country and an outstanding scientific researcher) was appointed consul. He enrolled in Medical School in Vienna while also teaching violin and singing at the Imperial Conservatory. He studies physics and chemistry in Paris and Berlin. He returned to Buenos Aires and studied medicine at the University of Buenos Aires. At the age of 23 he graduated after an award-winning thesis. In Europe, he specialized in otorhinolaryngology and introduced phoniatrics in Argentina.<\/p>\n

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Innovator, scientist, artist, polyglot, opera r\u00e9gisseur, theater and film director and producer, screenwriter, musician, composer, doctor, entrepreneur, visionary, multifaceted.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.21.0″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”|auto|80px|auto||” custom_padding=”64px|||||” border_color_bottom=”#efefef” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.24.2″ _module_preset=”default” header_2_font=”|700||on|||||” header_2_font_size=”28px” header_2_line_height=”2.8em” custom_margin=”||-3px|||” custom_padding=”||6px|||” custom_padding_tablet=”|30px||30px|false|false” custom_padding_phone=”|30px||30px|false|false” custom_padding_last_edited=”on|phone” hover_enabled=”0″ header_2_font_size_tablet=”” header_2_font_size_phone=”24px” header_2_font_size_last_edited=”on|phone” locked=”off” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

He worked as a journalist for national and foreign newspapers as a correspondent in both World Wars. He was hired by the Navy to carry out scientific research and received the National Award for Scientific Production. As a radio enthusiast, his practice was more than a hobby, it was a passion through which he investigated and transformed the world.<\/p>\n

Starting with the first radio transmission with Los Locos de la Azotea, he became the first radio announcer in history. Later, he continued to innovate with the long-distance telecommunications company V\u00eda Radiar. Alongside Los Locos de la Azotea, he co-founded Estudios Lumiton.<\/p>\n

Susini became the first Argentinian director to be nominated for an international film award with the film La Chismosa<\/em> at the Venice Film Festival in 1938. In 1948, while working as a professor of phoniatrics at the National Conservatory of Music, he met Alicia Arderius, his future wife, who would accompany him for the rest of his life. With this lyrical singer of marvelous voice, he produced numerous musicals. On October 17, 1951, the first television broadcast in Argentina took place, with Susini being\u00a0 the one who recorded and documented the event as General Director and cameraman, later assuming the artistic direction of Channel 7.<\/p>\n

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He is the author and director of Madama Lynch<\/em>, the first Argentinan musical. He presided over the Sociedad de Empresarios Teatrales (Society of Theater Entrepreneurs).<\/p>\n

He wrote\u00a0 and directed numerous plays in theaters such as La Scala in Milan. As a member of the Administrative Commission of Teatro Col\u00f3n, he established stable casts and schools. He was the director of the First Film Festival of Mar del Plata and a board member of the Argentinian Association of\u00a0 Film Directors. He was an advisory member of the Instituto Nacional de Cinematograf\u00eda and an executive member of the Academia de Artes y Ciencias Cinematogr\u00e1ficas de Argentina.<\/p>\n

In parallel to his great activity, he continued to practice his profession as a phoniatrist treating great stars such as Carlos Gardel and Mar\u00eda Callas. In his last years he regretted that the end was near because he said he still had much to do.<\/p>\n

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John Alton<\/h2>\n

Sopron, Hungary | May 10, 1901
Los Angeles, USA | February 2, 1996<\/span><\/p>\n

Cinematographer for MGM and Paramount, head of the Camera Department of Joinville Studios (Paris).<\/p>\n

He arrived in Buenos Aires on April 20, 1932 to join the Lumiton team. After marrying the Argentinian journalist Rozalia Kiss, Alton settled in the country for 7 years. He moved from Lumiton to Argentina Sono Film, contributing to the development of the Argentinian Film industry.<\/p>\n

Later, he returned to Hollywood, where he had an extensive career and was known as one of the key figures in film noir. In 1951 he received an Oscar for his first color film, An American in Paris<\/em>, directed by Vincent Minnelli.<\/p>\n

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\u201cI met some Argentinian millionaires who were planning to build a studio in Argentina. They asked me to design it, so I asked for a one-year leave in Joinville. I went to Argentina, we built a studio, and I made a film. But in the meantime, I got married.\u201d<\/em><\/p>\n

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Ladislao (Lazlo) Kish<\/h2>\n

Debrecen, Hungrary | February 15, 1904 – 1990<\/p>\n

He arrived in Buenos Aires on July 31, 1932, summoned by the new Lumiton Studios as a film editor. A pioneer in the layout of Argentinian sound films, he is the first editor for Lumiton and the editor of Los Tres Berretines<\/em>. Francisco Mugica, his successor, learned the art of editing from Kish. He later returned to Europe and worked as a director and scriptwriter in Italian cinema during the 1940s and 1950s.<\/p>\n

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The editing was done with a magnifying glass, on tables where the shots were stacked in small rolls. The film was visualized through a light and the cuts were made with scissors. The splicing and the effects were done by hand.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_3,1_3″ make_equal=”on” custom_padding_last_edited=”on|phone” _builder_version=”4.21.0″ _module_preset=”default” width=”100%” max_width=”100%” min_height=”628px” custom_margin=”|auto|2px|auto||” custom_padding=”|4rem|80px|4rem|false|true” custom_padding_tablet=”|4rem|80px|4rem|false|true” custom_padding_phone=”|0rem||0rem|false|true” border_color_bottom=”#efefef” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” background_image=”http:\/\/prd-cul-web04.vicentelopez.gov.ar\/wp-content\/uploads\/2020\/07\/L-estudios.jpg” border_color_all=”#FFFFFF” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”http:\/\/prd-cul-web04.vicentelopez.gov.ar\/wp-content\/uploads\/2020\/07\/L-gong.jpg” title_text=”L-gong” _builder_version=”4.24.0″ _module_preset=”default” border_color_all=”#FFFFFF” box_shadow_style=”preset3″ global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.24.2″ _module_preset=”default” header_2_font=”|700||on|||||” header_2_font_size=”28px” header_2_line_height=”2.8em” custom_padding=”0px||6px|||” custom_padding_tablet=”|30px||30px|false|true” custom_padding_phone=”” custom_padding_last_edited=”on|tablet” hover_enabled=”0″ header_2_font_size_tablet=”” header_2_font_size_phone=”24px” header_2_font_size_last_edited=”on|phone” locked=”off” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

In 1935 the iconic image of the production company was incorporated: The Gong Man, portrayed by the first dancer of the Teatro Col\u00f3n, Michel Borowsky.<\/p>\n

The gong was made with plaster and the sound was added in post-production.<\/p>\n

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CASA DE LAS ESTRELLAS (HOUSE OF THE STARS)<\/h2>\n

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The concept of \u201cmovie stars\u201d in Argentina was partly a creation of Lumiton, and the first to be recognized as such is Luis Sandrini, starting with Los tres berretines<\/em>. Some other stars, such as Mirtha Legrand, Mecha Ortiz, Juan Carlos Thorry, Susana Freyre, Olga Zubarry, Nin\u00ed Marshall and Hugo del Carril, began their careers in these same studios under the guidance of great directors.<\/p>\n

Manuel Romero, known for his popular comedies; Francisco Mugica and his sophisticated dramas and romantic comedies;<\/p>\n

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Carlos Hugo Christensen, pioneer of erotic cinema and author of successful crime films, to name only three great ones, are among the directors whose filmography stands out in the Gong production company. Their black and white photography, influenced by the master John Alton, used a cosmetic setting of light and dramatic shadows. Lumiton marked the years of glamour, grand sets, attention to detail in art, costumes and make-up, and exquisite props.<\/p>\n

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LOS LOCOS DE LA AZOTEA A group of four young radio…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-historia.php","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-16803","page","type-page","status-publish","hentry"],"acf":[],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/lumiton.ar\/en\/wp-json\/wp\/v2\/pages\/16803","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lumiton.ar\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/lumiton.ar\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/lumiton.ar\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lumiton.ar\/en\/wp-json\/wp\/v2\/comments?post=16803"}],"version-history":[{"count":0,"href":"https:\/\/lumiton.ar\/en\/wp-json\/wp\/v2\/pages\/16803\/revisions"}],"wp:attachment":[{"href":"https:\/\/lumiton.ar\/en\/wp-json\/wp\/v2\/media?parent=16803"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}