{"id":26867,"date":"2024-02-05T00:00:04","date_gmt":"2024-02-05T03:00:04","guid":{"rendered":"http:\/\/prd-cul-web04.vicentelopez.gov.ar\/voici-buenos-ayres\/"},"modified":"2024-02-05T00:00:04","modified_gmt":"2024-02-05T03:00:04","slug":"voici-buenos-ayres","status":"publish","type":"post","link":"https:\/\/lumiton.ar\/en\/voici-buenos-ayres\/","title":{"rendered":"VOICI BUENOS AYRES"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">At Lumiton, we work daily on the various materials that are part of our archive. As we progress in our work, we continue to find historical gems and enhance their value by digitizing, restoring, and preserving them under suitable conditions for each material.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Recently, we found in an uncatalogued canister a fragment of a French-language version of <\/span> <i><span style=\"font-weight: 400;\">Buenos Aires en relieve<\/span><\/i><span style=\"font-weight: 400;\">, the first Argentinian film in 3D. This film, produced and directed by the brothers Jorge and Napole\u00f3n Duclout (Don Napy) and sponsored by the Undersecretariat of Information of the Presidency of Argentina, premiered at the First International Film Festival of Mar del Plata in 1954.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Shot with a system created by its own director, it required special anaglyph glasses to be able to watch it and appreciate the three-dimensional effect. After its premiere at the festival, it continued to be screened in Buenos Aires as a complement to the film <\/span><i><span style=\"font-weight: 400;\">Museo de cera,<\/span><\/i> <span style=\"font-weight: 400;\">one of the first horror films in three dimensions.<\/span> <\/p>\n<p><span style=\"font-weight: 400;\">Versions in other languages were edited, as was customary in films sponsored by the government, for dissemination in other countries with which international relations were maintained. One of them, in French and in 2D, is safeguarded in the Lumiton archive. It is a 35mm reel in color and with sound, approximately 9 minutes in duration. As a curiosity, the narration by Roland Martin is different from the original, and the technical information cards are also not the same as in the Argentinian version. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">We will continue working on our materials, open to discovering new treasures of our history that help us recover the memory of national cinema. You can find the fragment of Voici Buenos Ayres, subtitled in French, by clicking on this link. <a href=\"http:\/\/prd-cul-web04.vicentelopez.gov.ar\/film\/8590a\/\">(click here)<\/a>. We also invite you to explore the contents of our Digitized Film Library <a href=\"http:\/\/prd-cul-web04.vicentelopez.gov.ar\/filmoteca\/\">(click here)<\/a>.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"At Lumiton, we work daily on the various materials that are part of our archive. As we progress in our work, we continue to find historical gems and enhance their value by digitizing, restoring, and preserving them under suitable conditions for each material. Recently, we found in an uncatalogued canister a fragment of a French-language&#8230; <a class=\"view-article\" href=\"https:\/\/lumiton.ar\/en\/voici-buenos-ayres\/\">Seguir leyendo<\/a>","protected":false},"author":21,"featured_media":24864,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[626],"tags":[],"class_list":["post-26867","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archive"],"acf":[],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/lumiton.ar\/en\/wp-json\/wp\/v2\/posts\/26867","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lumiton.ar\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lumiton.ar\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lumiton.ar\/en\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/lumiton.ar\/en\/wp-json\/wp\/v2\/comments?post=26867"}],"version-history":[{"count":0,"href":"https:\/\/lumiton.ar\/en\/wp-json\/wp\/v2\/posts\/26867\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lumiton.ar\/en\/wp-json\/wp\/v2\/media\/24864"}],"wp:attachment":[{"href":"https:\/\/lumiton.ar\/en\/wp-json\/wp\/v2\/media?parent=26867"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lumiton.ar\/en\/wp-json\/wp\/v2\/categories?post=26867"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lumiton.ar\/en\/wp-json\/wp\/v2\/tags?post=26867"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}